The word "criticism" had no concrete meaning to her then; no more than "compromise. Fifty in advance. And such skirts as Ann Veronica had had when she entered the valley of Saas were safely packed away in the hotel, and she wore a leather belt and loose knickerbockers and puttees—a costume that suited the fine, long lines of her limbs far better than any feminine walking-dress could do. And a ballot-box—” Her face assumed an expression of intellectual conflict.
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