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It was not simply that all the rooms were rearranged and everybody dressed in unusual fashions, and all the routines of life abolished and put away: people’s tempers and emotions also seemed strangely disturbed and shifted about. The iron slipped from his face, leaving it blank with astonishment. It is no good going into that. ‘Comment? This is not a mirror!’ It was a portrait. You'd not know what to do without me, and shan't drive me off. The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping. Sheppard," said Jonathan, looking calmly on at this distressing scene, "Attend to me, and do not heed him. Plays Beethoven, Rubenstein and all those chaps. They may love us, but they love us as the slave loves his captor, not as equals. In passing, why do we fear death? For our sins? Rather, isn't it the tremendous inherent human curiosity to know what is going to happen to-morrow that causes us to wince at the thought of annihilation? A subconscious resentment against the idea of entering darkness while our neighbour will proceed with his petty affairs as usual? "It's nip and tuck," said the doctor; "but we'll pull him through.
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