She directed him to an old part of the highway, a featureless stretch of old farmhouses capped in snow, with the occasional working silo. But I'll tell e'e what we might do——" The young man heard no more. The walls were pristine white and unmarked except for two sconces and a rather colorless Monet poster that had been framed in an expensive oak surround. A tourist caravan of four pole-chairs jogged along a narrow street. "There is something in The Tale of Two Cities that is wonderful," she said. You want to think for a time, to be free for a time.
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