“There’s no delusions, so far as I know,” said Ann Veronica. ” She was silent for a time, with her nose on the pillow, and that brought her to: “What’s the good of pretending? “I love him,” she said aloud to the dim forms of her room, and repeated it, and went on to imagine herself doing acts of tragically dog-like devotion to the biologist, who, for the purposes of the drama, remained entirely unconscious of and indifferent to her proceedings. “Then turn round and go back there,” she directed. Then perhaps it is Prudence?’ ‘Oh la la! That is not me at all. "No," replied Hogarth, hastily effacing the sketch. Why not kill her here, and leave silently, the way he must have come? Could it be that he had not the intention to kill her? En tout cas, it gave her a chance. “What a gloomy person you are!” she murmured. But in its stead—toward morning—there appeared another idea which appealed to him as sublime, appealed to the primitive conscience, to his artistic sense of the drama, to the poet and the novelist in him. CHAPTER XII.
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